Asha Jaoar Majhe, Bengali film directed by Aditya Vikram Sengupta, tells the story of a husband and wife (who are not named) living in Calcutta. The husband works at a printing press on night shifts while the wife works during daytime at a bag company, so the time they get to spend together is very limited. The dialog-less film patiently follows the routine of the couple, and the only instance when they are at least hinted to be seeing each other is near the end of the film, which follows a beautifully picturized "dream sequence" for a few minutes.
The 1.5 hour long film would look like much longer than that, because of the slow and detailed picturization of routine and monotonous activities and events, which create a unique atmosphere for the film. So, we see sun setting over the buildings in the city in a scene that is nearly two minutes long, which is accompanied with the usual evening-sounds of the city. In another scene, we see the face of the husband as a series of static images, seen through the moving parts of the press. Later, we get to see closeup scenes of various provisions - rice, pulses, etc. being transfered to containers, and get to know the variations in sound that they make during the process.
Asha Jaoar Majhe gives an extreme account of people who spend most of their time on their work and routine (some, to make both ends meet, while others just for the sake of it), getting that rare glimpse of Life probably once in a blue moon.